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Rob Weychert

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Delaware Shore πŸ”—

Raghav Peri, 2018, Β½ I’m known to enjoy a film made by clumsy amateurs reaching for something beyond their means, and this unfathomably earnest [...]

Entries logged without comment for the week ending 5/16 πŸ”—

Added to the music library: Camp Skin Graft: Now Wave The Browns, U.S. Maple, The Flying Luttenbachers, Lake of Dracula, Yona-Kit, and 28 more, 1997 [...]

Hard Boiled πŸ”—

John Woo, 1992, β˜…β˜…β˜…β˜… I’m not big on movies loudly foregrounding firearms these days, so I thought it might not be the best time to finally watc [...]

Wise Blood πŸ”—

John Huston, 1979, β˜…β˜…β˜…Β½ It might seem surprising that Brad Dourif’s intense and fascinating performance in Wise Blood didn’t get him much highe [...]

The Big Clock πŸ”—

John Farrow, 1948, β˜…β˜…β˜…Β½ Based on Kenneth Fearing’s 1946 novel of the same name, The Big Clock was released in 1948, and Hollywood took a second [...]

Entries logged without comment for the week ending 5/9 πŸ”—

Added to the music library: Lightfoils Lightfoils, 2012 Hierarchy Lightfoils, 2014 Tagged: May 2026 Reply via email Shop discount for RSS subscri [...]

The Trial πŸ”—

Orson Welles, 1962, β˜…β˜…β˜…β˜… A surrealist nightmare of expressionist lighting and skewed compositions made from colossal pre- and postwar European [...]

The absorbingly impenetrable typography of Analogical Force and Geometric Love πŸ”—

Analogical Force, an electronic music label based in Madrid, found its way onto my radar earlier this year when I picked up Oh Mr. James’s fun I’m Not [...]

πŸ”— XOXO Explore πŸ”—

In its founders’ own words, XOXO was β€œan experimental festival celebrating independent artists and creators working on the internet,” and its final ed [...]

Ring 2 πŸ”—

Hideo Nakata, 1999, β˜… Whatever the Exorcist II apologists may tell you, its legendarily scatterbrained attempt to rationalize the irrational is [...]